This book proposes that aesthetics begin not with concepts of being
or semblance, but with a concept of appearing, Appearing bespeaks
of the reality that all aesthetic objects share, however different
they may otherwise be. For Martin Seel, appearing plays its part
everywhere in the aesthetic realm, in all aesthetic activity. In
his book, Seel examines the existential and cultural meaning of
aesthetic experience. In doing so, he brings aesthetics and
philosophy of art together again, which in continental as well as
analytical thinking have been more and more separated in the recent
decades. Within Seel' s framework, to apprehend things and events
with respect to how they appear momentarily and simultaneously to
our senses represents a genuine way for human beings to encounter
the world. The consciousness that emerges here is an
anthropologically central faculty. In perceiving the unfathomable
particularity of a sensuously given we gain insight into the
indeterminable of our lives. Attentiveness to what is appearing is
therefore at the same time attentiveness to ourselves. This is also
the case when works of art imagine past or future, probable or
improbable presences. Artworks develop their transgressive energy
from their presence as sense-catching forms. They bring about a
special presence in which a presentation of close or distant
presences comes about.
General
Imprint: |
Stanford University Press
|
Country of origin: |
United States |
Series: |
Cultural Memory in the Present |
Release date: |
November 2004 |
First published: |
2005 |
Authors: |
Martin Seel
|
Translators: |
John Farrell
|
Dimensions: |
229 x 152 x 19mm (L x W x T) |
Format: |
Hardcover - Cloth
|
Pages: |
256 |
ISBN-13: |
978-0-8047-4380-8 |
Categories: |
Books >
Humanities >
Philosophy >
General
Books >
Philosophy >
General
Promotions
|
LSN: |
0-8047-4380-0 |
Barcode: |
9780804743808 |
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