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Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800

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Flemish and Dutch Artists in Early Modern England - Collaboration and Competition, 1460-1680 (Hardcover, New Ed) Loot Price: R4,171
Discovery Miles 41 710
Flemish and Dutch Artists in Early Modern England - Collaboration and Competition, 1460-1680 (Hardcover, New Ed): Mary Bryan H....

Flemish and Dutch Artists in Early Modern England - Collaboration and Competition, 1460-1680 (Hardcover, New Ed)

Mary Bryan H. Curd

Series: Visual Culture in Early Modernity

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Loot Price R4,171 Discovery Miles 41 710 | Repayment Terms: R391 pm x 12*

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By examining their production practices in a variety of genres"including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving"this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Series: Visual Culture in Early Modernity
Release date: May 2010
First published: 2010
Authors: Mary Bryan H. Curd
Dimensions: 246 x 174mm (L x W)
Format: Hardcover
Pages: 256
Edition: New Ed
ISBN-13: 978-0-7546-6712-4
Categories: Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > General
Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
LSN: 0-7546-6712-X
Barcode: 9780754667124

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