This annotated translation is the first systematic rendering
into any Western language of the nine major treatises on the art of
the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who
transformed the No from a country entertainment into a vehicle for
profound theatrical and philosophical experience, was a brilliant
actor himself, and his treatises touch on every aspect of the
theater of his time. His theories, mixing philosophical and
practical insights, often seem strikingly contemporary.
Since their discovery early in this century. these secret
treatises have been considered among the most valuable and
representative documents in the history of Japanese aesthetics.
They discuss subjects from the art of the playwright to the
reciprocal nature of the relationship between performer and
audience.
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