What is the soul of poetry? Perhaps the most influential answer
comes from Aristotle's "Poetics," in which the writer regarded
poetry as an instance of mimesis, a kind of representation or
simulation. However, despite the significance he gave the term,
Aristotle's use of the word mimesis was far from unequivocal, and
over the centuries that have followed this inconsistency has
stimulated a wealth of interpretations and debate. Tracking
"Poetics "from its birth in rhetorical studies to its reception
across the centuries until romanticism, Mats Malm here examines the
many different ways scholars--from Averroes to Schlegel--have
understood mimesis, looking at how these various interpretations
have led to very different definitions of the soul of poetry.
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