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Explaining Tonality - Schenkerian Theory and Beyond (Hardcover, New)
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Explaining Tonality - Schenkerian Theory and Beyond (Hardcover, New)
Series: Eastman Studies in Music
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A defense of Schenkerian analysis of tonality in music. A wide
range of music -- from Bach to Mozart and Brahms -- is marked by
its use of some form of what is generally called "tonality": the
tendency of music to focus melodically on some stable pitch or
tonic and for its harmony to use functional triads. Yet few terms
in music theory are more enigmatic than that seemingly simple word
"tonality." Matthew Brown's Explaining Tonality: Schenkerian Theory
and Beyond considers a number of disparate ways in which functional
tonality has been understood. In particular, it focuses on the
comprehensive theory developed by Heinrich Schenker in his
monumental three-part treatise Neue musikalische Theorien und
Phantasien [1906-1935]. Schenker systematically investigated the
ways in which lines and chords behave both locally within
individual tonal phrases and globally across entire compositions.
Explaining Tonality shows why Schenker was able to elucidate tonal
relationships so successfully and the many advantages that his
explanations have over those of his rivals. In addition, it
proposes some ways in which Schenker's approach can be extended to
tonal features in works from before Bach [such as Monteverdi] and
after Brahms [such as Debussy, Stravinsky, and much popular music
of today]. Along the way, the book explores six methodological
criteria that help in building, testing, and evaluatinga plausible
theory of tonality or, indeed, any other musical phenomenon:
accuracy, scope, fruitfulness, consistency, simplicity, and
coherence. It reveals how understanding the tonality of a piece can
shed light on other aspects of musical composition. And, in
conclusion, it describes some ways in which Schenkerian theory
might fruitfully develop in the future. Matthew Brown is Professor
of Music Theory at the Eastman School of Music, Universityof
Rochester, and author of Debussy's "Iberia" [Oxford University
Press].
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