Imaginative analytical and critical work on British music of the
early twentieth century has been hindered by perceptions of the
repertory as insular in its references and backward in its style
and syntax, escaping the modernity that surrounded its composers.
Recent research has begun to break down these perceptions and has
found intriguing links between British music and modernism. This
book brings together contributions from scholars working in
analysis, hermeneutics, reception history, critical theory and the
history of ideas. Three overall themes emerge from its chapters:
accounts of British reactions to Continental modernism and the
forms they took; links between music and the visual arts; and
analysis and interpretation of compositions in the light of recent
theoretical work on form, tonality and pitch organization.
General
Imprint: |
Ashgate Publishing Limited
|
Country of origin: |
United Kingdom |
Release date: |
June 2010 |
First published: |
2010 |
Editors: |
Matthew Riley
|
Dimensions: |
234 x 156 x 25mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
352 |
Edition: |
New Ed |
ISBN-13: |
978-0-7546-6585-4 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-7546-6585-2 |
Barcode: |
9780754665854 |
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