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Wolfgang Rang Light Space (German, Hardcover)
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Wolfgang Rang Light Space (German, Hardcover)
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Total price: R1,603
Discovery Miles: 16 030
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The ongoing paradigm change in regard to the use of energy, its
efficient usage and the consumption of resources is giving rise to
new light systems and lighting appliances. This development might
also lead to the use of light as a building material in its own
right, comparable to traditional building materials, making it
possible to create light space productions something that did not
seem feasible up to now due to the high cost of energy and of light
systems. The goal of this book is to develop temporary light spaces
that re-interpret the existing urban environment on a seasonal
basis or over a cycle of several years. As a result, the city will
literally appear in a new light. Strollers in the city streets will
experience their familiar environment in a new way. Illuminated
planes interlacing with planes made by linear fields of light beams
will create immaterial material space experiences: still lifes of
light within which one can move about and light choreographies that
move barely noticeably, creating still lifes in motion. Current
research aims at exploring, imagining and inventing stand-alone
spatial structures of light, adding on to and transforming existing
spaces, creating a new spatial awareness that may enable people to
experience urban space in a different way. Similar to the process
of architectural design, where haptic built volumes create
interspaces, the light spaces that are presently being designed
make these interspaces visible and allow urban dwellers to
experience unexpected spatial constellations. The discourse in this
book starts with essays introducing aspects of light spaces,
including the following: Christian Bartenbach on the perception of
light as something that creates space; Niels Gutschow on the ritual
dimension of light, an element in the history of creation; Samuel
Widmer on light in near-death experiences; Aldous Huxley on light
as the messenger from a world we perceive on an unconscious level;
Jun'ichiro Tanizaki on the world of the shadow and Tadashi Endo on
movement as a relation between time and space in Butoh, the
Japanese dance of darkness. The discourse concludes with documents
on light spaces by Wolfgang Rang collected over a period of 30
years showing how these light spaces were regarded in the writings
of con-temporaries, including Max Bacher on the dawn of a new era;
Hans-Peter Schwarz on the deconstruction of space by light; Jurgen
Hasse on light as a discourse fragment of public space; Manuel
Cuadra on red luminescence; and Antonio de Campos on shadow as an
expression of light.
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