Since the late 1990s, a vivid new sphere of cinematic practice
in Southeast Asia has emerged and been identified as independent.
What exactly does this term mean in relation to the way films and
videos are made, and the way they look? How do issues of festival
circulation, piracy, technology, state and institutional power, and
spectatorship apply to practices of independent cinema throughout
the diverse region? The authors who speak in this volume
contemporary filmmakers, critics, curators, festival organizers
answer these questions. They describe and analyze the emerging
field of Southeast Asian cinema, which they know firsthand and have
helped create and foster.
Glimpses of Freedom is the outcome of a project collaboratively
conceived by a new generation of scholars of cinema in Southeast
Asia, inspired by the growing domestic and international visibility
of notable films and videos from the region. Contributors include
internationally esteemed independent filmmakers, critics, and
curators based in Southeast Asia, such as Hassan Abd Muthalib,
Alexis A. Tioseco, Chris Chong Chan Fui, and John Torres.
International scholars such as Benedict Anderson, Benjamin McKay,
May Adadol Ingawanij, and Gaik Cheng Khoo contextualize and
theorize Southeast Asia's "independent film cultures." The
interaction between practitioners and critics in this volume
illuminates a contemporary artistic field, clarifying its
particular character and its vital contributions to cinema
worldwide.
Contributors
Benedict Anderson, Cornell University; Tilman Baumgartel, Royal
University of Phnom Penh; Angie Bexley, College of Asia and the
Pacific (Australian National University); Chris Chong, independent
film director, Malaysia; Hassan Abd Muthalib (artist, writer, and
film director), Universiti Teknologi MARA Malaysia; Eloisa May P.
Hernandez, University of the Philippines, Diliman; May Adadol
Ingawanij, Centre for Research and Education in Arts and Media,
University of Westminster; Gaik Cheng Khoo, Australian National
University; Mariam Lam, University of California Riverside;
Benjamin McKay (1964 2010), writer, critic, and academic, Kuala
Lumpur; Vinita Ramani Mohan, Access to Justice Asia LLP; Alexis A.
Tioseco (1981 2009), film critic, curator, and lecturer,
Philippines; John Torres, musician and experimental filmmaker,
Philippines; Chalida Uabumrungjit, Thai Film Foundation and Thai
Short Film and Video Festival; Jan Uhde, University of Waterloo,
Ontario, Canada; and Yvonne Ng Uhde, editorial board, KINEMA
journal, University of Waterloo"
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