Rethinking the role of the artist and recovering the work of
unacknowledged creators in colonial society This volume addresses
and expands the role of the artist in colonial Latin American
society, featuring essays by specialists in the field that consider
the ways society conceived of artists and the ways artists defined
themselves. Broadening the range of ways that creativity can be
understood, contributors show that artists functioned as political
figures, activists, agents in commerce, definers of a canon, and
revolutionaries. Chapters provide studies of artists in Peru,
Mexico, and Cuba between the sixteenth and early nineteenth
centuries. Instead of adopting the paradigm of individuals working
alone to chart new artistic paths, contributors focus on human
relationships, collaborations, and exchanges. The volume offers new
perspectives on colonial artworks, some well known and others
previously overlooked, including discussions of manuscript
painting, featherwork, oil painting, sculpture, and mural painting.
Most notably, the volume examines attitudes and policies related to
race and ethnicity, exploring various ethnoracial dynamics of
artists within their social contexts. Through a decolonial lens not
often used in the art history of the era and region,Collective
Creativity and Artistic Agency in Colonial Latin America examines
artists’ engagement in society and their impact within it.
Publication of this work made possible by a Sustaining the
Humanities through the American Rescue Plan grant from the National
Endowment for the Humanities.
General
Imprint: |
University Press of Florida
|
Country of origin: |
United States |
Release date: |
May 2023 |
Editors: |
Maya Stanfield-Mazzi
• Margarita Vargas-Betancourt
|
Dimensions: |
229 x 152mm (L x W) |
Format: |
Paperback
|
Pages: |
260 |
ISBN-13: |
978-1-68340-366-1 |
Categories: |
Books
|
LSN: |
1-68340-366-5 |
Barcode: |
9781683403661 |
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