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A Singing Contest - Conventions of Sound in the Poetry of Seamus Heaney (Hardcover)
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A Singing Contest - Conventions of Sound in the Poetry of Seamus Heaney (Hardcover)
Series: Studies in Major Literary Authors
Expected to ship within 12 - 19 working days
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A formal analysis A Singing Contest comprises close readings of
Seamus
Heaney's poetry. Tyler argues that in an era of fractured poetry
and politics, Seamus Heaney stands out: his impulse is towards
unity and regeneration. Her book considers the interplay between
different kinds of literary tradition and community in his poetry.
For Heaney, poetry represents a structure allowing imaginative
mediation of conflicts that appear irreconcilable in the social,
political and historical realms. By detailed structural analysis of
diction, meter, imagery and generic form, Tyler illustrates how
Heaney's poems create concords from discords, unities from
fracture.
From the preface by Rosanna Warren:
"A Singing Contest is written with imaginative and emotional
urgency, and in some large sense, as it examines Heaney's spells,
it seems itself to want to cast a spell against death. Hence
Tyler's return, in various ways, to readings of elegy, whether the
fictive elegies of classical pastoral poems, or Heaney's personal
elegies. She pores in detail over "Clearances," the sonnet sequence
composed in memory of the poet's mother in The Haw Lantern, and she
concludes her book with a chapter on literary elegies, Heaney's
farewells to his friends and admired contemporaries Ted Hughes,
Zbigniew Herbert, and Joseph Brodsky. In these analyses, one sees
the wholeness of Tyler's project: her argument that for Heaney,
literary tradition itself, rightly received and transformed,
reaches into the voids made by death, and establishes connection
across rupture. Her thesis is an ancient one, and she gives it
particular shape and force in asking us to contemplate it at work
in Heaney, where it binds individualto collective experience, and
past to present."
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