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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Publishing industry

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The Portrait and the Book - The Invention of the Illustrated Book in Early America (Paperback) Loot Price: R1,651
Discovery Miles 16 510
You Save: R319 (16%)
The Portrait and the Book - The Invention of the Illustrated Book in Early America (Paperback): Megan Walsh

The Portrait and the Book - The Invention of the Illustrated Book in Early America (Paperback)

Megan Walsh

Series: Impressions

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List price R1,970 Loot Price R1,651 Discovery Miles 16 510 | Repayment Terms: R155 pm x 12* You Save R319 (16%)

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In the nineteenth century, new image-making methods like steel engraving and lithography caused a surge in the publication of illustrated books in the United States. Yet even before the widespread use of these technologies, Americans had already established the illustrated book format as central to the nation's literary culture. In The Portrait and the Book, Megan Walsh argues that colonial-era author portraits, such as Benjamin Franklin's and Phillis Wheatley's frontispieces; political portraits that circulated during the debates over the Constitution, such as those of the Founders by Charles Willson Peale; and portraits of beloved fictional characters in the 1790s, such as those of Samuel Richardson's heroine Pamela, shaped readers' conceptions of American literature. Illustrations played a key role in American literary culture despite the fact there was little demand for books by American writers. Indeed, most of the illustrated books bought, sold, and shared by Americans were either imported British works or reprinted versions of those imported editions. As a result, in addition to embellishing books, illustrations provided readers with crucial information about the country's status as a former colony. Through an examination of readers' portrait-collecting habits, writers' employment of ekphrasis, printers' efforts to secure American-made illustrations for periodicals, and engravers' reproductions of British book illustrations, Walsh uncovers in late eighteenth-century America a dynamic but forgotten visual culture that was inextricably tied to the printing industry and to the early US literary imagination.

General

Imprint: University of Iowa Press
Country of origin: United States
Series: Impressions
Release date: May 2017
Authors: Megan Walsh
Dimensions: 229 x 152 x 23mm (L x W x T)
Format: Paperback
Pages: 278
ISBN-13: 978-1-60938-502-6
Categories: Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Publishing industry
LSN: 1-60938-502-0
Barcode: 9781609385026

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