A history of film preservation and restoration, telling the story
from the earliest days of the cinema to the modern days of digital
restorations. The cinema was invented in the Victorian era, but for
the first four decades of its existence almost no effort was made
to preserve the millions of feet of celluloid which rolled through
the cameras and projectors of the world. As a result, thousands of
movies were lost forever. In the 1930s, the first concerted
attempts at film preservation were begun by pioneering individuals
such as Iris Barry at New York's Museum of Modern Art; Ernest
Lindgren at the British Film Institute, and the indomitable Henri
Langlois at the Cinematheque francaise, a man who performed heroics
in occupied France to save the world's cinematic heritage from
destruction by the Nazis. The 1980s video boom encouraged the
studios finally to instigate asset protection programmes and in the
digital age new methods of producing, exhibiting and restoring
motion pictures emerged.
General
Imprint: |
Lulu Press
|
Country of origin: |
United Kingdom |
Release date: |
March 2015 |
Authors: |
Michael Binder
|
Dimensions: |
229 x 152 x 30mm (L x W x T) |
Format: |
Hardcover - Cloth over boards / With dust jacket
|
Pages: |
332 |
ISBN-13: |
978-1-291-98130-8 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
Promotions
|
LSN: |
1-291-98130-6 |
Barcode: |
9781291981308 |
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