The field of Sound Studies has changed and developed dramatically
over the last two decades involving a vast and dizzying array of
work produced by those working in the arts, social sciences and
sciences. The study of sound is inherently interdisciplinary and is
undertaken both by those who specialize in sound and by others who
wish to include sound as an intrinsic and indispensable element in
their research. This is the first resource to provide a wide
ranging, cross-cultural and interdisciplinary investigation and
analysis of the ways in which researchers use a broad range of
methodologies in order to pursue their sonic investigations. It
brings together 49 specially commissioned chapters that ask a wide
range of questions including; how can sound be used in current
academic disciplines? Is sound as a methodological tool
indispensable for Sound Studies and what can sound artists
contribute to the discourse on methodology in Sound Studies? The
editors also present 3 original chapters that work as provocative
‘sonic methodological interventions’ prefacing the 3 sections
of the book.
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