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The American Television Industry (Paperback)
Loot Price: R1,076
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The American Television Industry (Paperback)
Series: International Screen Industries
Expected to ship within 12 - 17 working days
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In an age of proliferating choices, television nevertheless remains
the most popular medium in the United States. Americans spend more
time with TV than ever before, and many 'new media' forms, such as
blu-ray movies, Hulu videos, and Internet widgets, are produced and
delivered by the world's most lucrative and powerful television
industry. Yet that industry has undergone profound changes since
the 1980s, moving from a three-network oligopoly to a sprawling
range of channels and services dominated by a handful of major
conglomerates. Viewers can now access hundreds of channels at all
hours of the day and can search and select from hundreds of
thousands of individual programmes on video and Internet services.
This diversity has fragmented the size of television audiences and
transformed relationships between viewers and television companies.
Unlike the first fifty years of television, today's industry
leaders can no longer rely on mass audiences and steady revenue
flows from big-budget advertisers, and this in turn affects their
programming and production strategies.
"The American Television Industry" offers a concise and accessible
introduction to TV production, programming, advertising and
distribution. Michael Curtin and Jane Shattuc outline how
programmes are made and marketed, and provide an insightful
overview of key players, practices and future trends. Although
star-driven dramas and comedies continue to attract a great deal of
critical praise and audience attention, television is increasingly
characterised by niche programming services, that, with modest
production budgets, compete for audience attention. In this
environment, reality TV genres have emerged as attractive
programming alternatives for cable services such as the History
Channel and the Food Network. Moreover, programming is increasingly
delivered on an a la carte, on-demand basis to a diverse array of
viewing devices, such as iPods and cell phones.
The book analyses the corporate strategies, technological
innovations and cultural transformations that have driven changes
in industry strategy, discourse and practice. Making reference to
numerous case examples, the authors identify definitive trends and
describe key players in industry and government. These are indeed
vibrant but unstable times for the American television industry and
this volume explains the major forces that will shape the future of
the medium in North America and around the world.
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