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The Bible and the Printed Image in Early Modern England - Little Gidding and the pursuit of scriptural harmony (Hardcover)
Loot Price: R4,782
Discovery Miles 47 820
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The Bible and the Printed Image in Early Modern England - Little Gidding and the pursuit of scriptural harmony (Hardcover)
Series: Visual Culture in Early Modernity
Expected to ship within 12 - 19 working days
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The first book-length study of the fifteen surviving Little Gidding
bible concordances, this book examines the visual culture of print
in seventeenth-century England through the lens of one
extraordinary family and their hand-made biblical manuscripts. The
volumes were created by the women of the Ferrar-Collet family of
Little Gidding, who selected works from the family's collection of
Catholic religious prints, and then cut and pasted prints and print
fragments, along with verses excised from the bible, and composed
them in artful arrangements on the page in the manner of collage.
Gaudio shows that by cutting, recombining, and pasting multi-scaled
print fragments, the Ferrar-Collet family put into practice a
remarkably flexible pictorial language. The Little Gidding
concordances provide an occasion to explore how the manipulation of
print could be a means of thinking through some of the most
pressing religious and political questions of the pre-civil war
period: the coherence of printed scripture, the nature of
sovereignty, the relevance of the Mosaic law, and the protestant
reform of images. By foregrounding the Ferrar-Collets' engagement
with the print fragment, this book extends the scope of early
modern print history beyond the printmaker's studio and expands our
understanding of the ways an early modern Protestant community
could productively engage with the religious image. Contrary to the
long-held view that the English Reformation led to a decline in the
importance of the religious image, this study demonstrates the
ongoing vitality of religious prints in early modern England as
instruments for thinking.
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