In recent years, film has been one of the major genres within
which the imaginaries involved in mapping the geopolitical world
have been represented and reflected upon.
In this book, one of America's foremost theorists of culture and
politics treats those aspects of the "geopolitical aesthetic" that
must be addressed in light of both the post cold war and post 9/11
world and contemporary film theory and philosophy. Beginning with
an account of his experience as a juror at film festival s, Michael
J. Shapiro s Cinematic Geopolitics analyzes the ways in which film
festival space and both feature and documentary films function as
counter-spaces to the contemporary "violent cartography" occasioned
by governmental policy, especially the current "war on terror."
Influenced by the cinema-philosophy relationship developed by
Gilles Deleuze and the politics of aesthetics thinking of Jacques
Ranciere, the book s chapters examines a range of films from
established classics like the Deer Hunter and the Battle of Algiers
to contemporary films such as Dirty Pretty Things and the Fog of
War. Shapiro s use of philosophical and theoretical works makes
this cutting edge examination of film and politics essential
reading for all students and scholars with an interest in film and
politics.
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