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Historicizing the Enlightenment, Volume 2 - Literature, the Arts, and the Aesthetic in Britain (Hardcover)
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Historicizing the Enlightenment, Volume 2 - Literature, the Arts, and the Aesthetic in Britain (Hardcover)
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Enlightenment critics from Dryden through Johnson and Wordsworth
conceived the modern view that art and especially literature
entails a double reflection: a reflection of the world, and a
reflection on the process by which that reflection is accomplished.
Instead “neoclassicism” and “Augustanism” have been falsely
construed as involving a one-dimensional imitation of classical
texts and an unselfconscious representation of the world. In fact
these Enlightenment movements adopted an oblique perspective that
registers the distance between past tradition and its present
reenactment, between representation and presence. Two modern
movements, Romanticism and modernism, have appropriated as
their own these innovations, which derive from Enlightenment
thought. Both of these movements ground their error in a misreading
of “imitation” as understood by Aristotle and his Enlightenment
proponents. Rightly understood, neoclassical imitation,
constitutively aware of the difference between what it knows and
how it knows it, is an experimental inquiry that generates a range
of prefixes—“counter-,” “mock-,” “anti-,”
“neo-”—that mark formal degrees of its epistemological
detachment. Romantic ideology has denied the role of the
imagination in Enlightenment imitation, imposing on the eighteenth
century a dichotomous periodization: duplication versus
imagination, the mirror versus the lamp. Structuralist ideology has
dichotomized narration and description, form and content, structure
and history. Poststructuralist ideology has propounded for the
novel a contradictory “novel tradition”—realism, modernism,
postmodernism, postcolonialism—whose stages both constitute a
sequence and collapse it, each stage claiming the innovation of the
stage that precedes it. Published by Bucknell
University Press. Distributed worldwide by Rutgers University
Press.
General
Imprint: |
Bucknell University Press,U.S.
|
Country of origin: |
United States |
Release date: |
August 2023 |
Authors: |
Michael McKeon
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Dimensions: |
235 x 156 x 20mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
268 |
ISBN-13: |
978-1-68448-476-8 |
Categories: |
Books
|
LSN: |
1-68448-476-6 |
Barcode: |
9781684484768 |
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