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Historicizing the Enlightenment, Volume 2 - Literature, the Arts, and the Aesthetic in Britain (Hardcover) Loot Price: R3,024
Discovery Miles 30 240
You Save: R317 (9%)
Historicizing the Enlightenment, Volume 2 - Literature, the Arts, and the Aesthetic in Britain (Hardcover): Michael McKeon

Historicizing the Enlightenment, Volume 2 - Literature, the Arts, and the Aesthetic in Britain (Hardcover)

Michael McKeon

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Was R3,341 Loot Price R3,024 Discovery Miles 30 240 | Repayment Terms: R283 pm x 12* You Save R317 (9%)

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Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have  appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it.     Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

General

Imprint: Bucknell University Press,U.S.
Country of origin: United States
Release date: August 2023
Authors: Michael McKeon
Dimensions: 235 x 156 x 20mm (L x W x T)
Format: Hardcover
Pages: 268
ISBN-13: 978-1-68448-476-8
Categories: Books
LSN: 1-68448-476-6
Barcode: 9781684484768

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