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Fritz Lang's Metropolis - Cinematic Visions of Technology and Fear (Paperback, New Ed)
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Fritz Lang's Metropolis - Cinematic Visions of Technology and Fear (Paperback, New Ed)
Series: Studies in German Literature Linguistics and Culture
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A collection of essays -- early seminal works as well as
freshinterpretations -- on the famous German expressionist
film,Metropolis. Fritz Lang's classic 1927 film Metropolis has
justifiably become an icon for the complexities of Weimar culture.
Among the important general issues it also raises are the relation
between ideology and art, the status and authorship of the film
text in the entertainment market, the city, the construction of
gender, the relation between the human body and the machine in
modernity, and the relation between mass and high culture. This
volume provides abroad range of materials and resources for the
study of Lang's film, including both well-known, previously
published critical essays and contributions appearing for the first
time here. The editors provide a two-part introductionthat
furnishes context for what follows: Bachmann's part deals with the
genesis, production, and contemporary reception of the film, while
Minden's defines the problems posed by the text and reviews
thesolutions to these problemsas proposed by later generations of
critics.The first part of the book proper includes selected
contemporaryreviews, commentary by Fritz Lang and others involved
in the making ofthe film, and extracts from Thea von Harbou's
original novel. In the second part, eight modern scholars provide
fresh essays on the genesis, promotion, and reception of the film.
Approximately half of the material in the volume has never before
appeared in print. The volume will appealto students of German,
film, cultural and intellectual history, and social theory. Michael
Minden is University Lecturer in German at Cambridge University and
a fellow of Jesus College. Holger Bachmann received hisPh.D. from
Cambridge on Arthur Schnitzler and film.
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