"Avant-Garde Film: Forms, Themes and Passions" examines the
variety of concerns and practices that have comprised the long
history of avant-garde film at a level appropriate for
undergraduate study. It covers the developments of experimental
film-making since the modernist explosion in the 1920s in Europe
through to the Soviet film experiments, the American Underground
cinema and the French New Wave, structuralism and contemporary
gallery work of the young British artists. Through in-depth
case-studies, the book introduces students not only to the history
of the avant-garde but also to varied analytical approaches to the
films themselves - ranging from abstraction (Richter, Ruttmann) to
surreal visions (Bunuel, Wyn Evans), underground subversion (Jack
Smith, Warhol) to experimental narrative (Deren and Antonioni).
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