Artists have often provided the earliest demonstrations of
conscience and ethical examination in response to political events.
The political shifts that took place in the 1960s were addressed by
a revival of folk music as an expression of protest, hope and the
courage to imagine a better world. This work explores the
relationship between the cultural and political ideologies of the
1960s and the growing folk music movement, with a focus on
musicians Phil Ochs; Joan Baez; Peter, Paul and Mary; Carolyn
Hester and Bob Dylan.
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