This groundbreaking and innovative text addresses the deep
ontological and epistemological commitments that underpin
conventional positivist methods and then demonstrates how "method"
can be understood in much broader and more interesting ways.
Drawing on a broad range of philosophical and methodological theory
as well as a wide variety of artistic sources from fine art to
cinema and from literature to the blues, leading contemporary
thinker Michael Shapiro shows the reader how a more open
understanding of the concept of method is rewarding and
enlightening. His notion of 'writing-as-method' is enacted
throughout the text and offers a stimulating alternative for
students to positivist social science methods. This is essential
reading for all students and faculty with an interest in
post-positivist methods.
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