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The Aladdin/Imperial Labels - A Discography (Hardcover)
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The Aladdin/Imperial Labels - A Discography (Hardcover)
Series: Discographies: Association for Recorded Sound Collections Discographic Reference
Expected to ship within 12 - 17 working days
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Aladdin and Imperial, two independent recording labels, emerged on
the West Coast following World War II. They were hugely successful
with their recordings of popular music based on jazz and blues. For
Aladdin, the blues and rhythm and blues fields were to become the
most important aspects of the label, with later additions of
special series devoted to gospel and country. The Imperial label
began with recordings of local Mexican groups and folk artists, and
later the label took on a country and rockabilly flavor. A move to
New Orleans and recordings by such artists as Fats Domino put
Imperial into the blues and rhythm and blues fields. After
Aladdin's demise in 1961, it was purchased by Imperial which
reissued many Aladdin titles. Today Aladdin/Imperial is part of the
United Artists/EMI conglomerate which has over the years reissued
many Imperial and Aladdin records including such hits as "Blueberry
Hill." In this complete discographical listing of all recordings
issued on the Aladdin/Imperial labels from 1942 to 1974, Michel
Ruppli includes every available detail relating to session
recording dates and personnel. The discography also lists titles
with both master numbers and issue numbers. Included are many jazz
sessions with Lester Young, Illinois Jacquet, Billie Holiday, and
others; popular and rock artists like Ricky Nelson and Johnny
Rivers; blues players such as Lightnin' Hopkins, Joe Turner, and
T-Bone Walker; rhythm and blues artists, including Fats Domino, and
groups such as the Five Keys. Along with international dance band
music, country, rockabilly, and folk can be found here as well.
Using the standard format employed in Ruppli's previous volumes in
Greenwood's DiscographySeries, the book is divided into seven
parts. Part I contains the Aladdin sessions and includes a list of
untraced sessions and a table of Imperial masters assigned to
Aladdin titles. The Imperial folk/dance sessions and the Imperial
popular sessions are treated in two separate sections. The Black
and White label, Minit label, foreign, and miscellaneous labels are
found in Part IV. An entire chapter is devoted to single numerical
listings and includes seven Aladdin Series labels and eight
Imperial Series labels along with foreign series, Liberty/UA
Series, 78 rpm albums, and 45 rpm albums. Part VI gives complete
album numerical listings. An index of artists completes the volume.
This discography has a potentially wide audience including record
collectors around the globe interested in Jazz/Blues/Rhythm and
Blues/Country/Rockabilly/Rock Music; music book shops; libraries;
researchers; record company executives and producers; and
licensees.
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