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Analyzing Atonal Music - Pitch-Class Set Theory and Its Contexts (Hardcover)
Loot Price: R3,572
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Analyzing Atonal Music - Pitch-Class Set Theory and Its Contexts (Hardcover)
Series: Eastman Studies in Music
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An engaging study -- the first ever -- of the principles used by
noted scholars to unravel the masterpieces of Schoenberg,
Stravinsky, and other modernists. For the past forty years,
pitch-class set theory has served as a frame of reference for the
study of atonal music, through the efforts of Allen Forte, Milton
Babbitt, and others. It has also been the subject of sometimes
furious debates between music theorists and historically oriented
musicologists, debates that only helped heighten its profile.
Today, as oppositions have become less clear-cut, and other
analytical approaches to music are gaining prominence, the time has
come for a history of pitch-class set theory, its dissemination,
and its role in the reception of the music of Schoenberg,
Stravinsky, and other modernist composers. Analyzing Atonal Music:
Pitch-Class Set Theory and Its Contexts combines thorough
discussions of musical concepts with an engaging historical
narrative. Pitch-class theory is treated here as part of the
musical and cultural landscape of the United States. The theory's
remarkable rise to authority is related to the impact of the
computer on the study of music in the 1960s, and to the American
university in its double role as protector of high culture and
provider of mass education. Michiel Schuijer teaches at the
Conservatory of Amsterdam and the University of Amsterdam. His
research focuses on topics at the interface between music theory
and historical musicology.
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