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Kiss Kiss, Bang Bang - The Boom in British Thrillers from Casino Royale to the Eagle Has Landed (Paperback)
Loot Price: R167
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You Save: R112
(40%)
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Kiss Kiss, Bang Bang - The Boom in British Thrillers from Casino Royale to the Eagle Has Landed (Paperback)
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List price R279
Loot Price R167
Discovery Miles 1 670
You Save R112 (40%)
Expected to ship within 12 - 17 working days
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WINNER OF THE HRF KEATING AWARD FOR BEST NON-FICTION CRIME BOOK
2018 An entertaining history of British thrillers from Casino
Royale to The Eagle Has Landed, in which award-winning crime writer
Mike Ripley reveals that, though Britain may have lost an empire,
her thrillers helped save the world. With a foreword by Lee Child.
When Ian Fleming dismissed his books in a 1956 letter to Raymond
Chandler as 'straight pillow fantasies of the bang-bang, kiss-kiss
variety' he was being typically immodest. In three short years, his
James Bond novels were already spearheading a boom in thriller
fiction that would dominate the bestseller lists, not just in
Britain, but internationally. The decade following World War II had
seen Britain lose an Empire, demoted in terms of global power and
status and economically crippled by debt; yet its fictional spies,
secret agents, soldiers, sailors and even (occasionally)
journalists were now saving the world on a regular basis. From Ian
Fleming and Alistair MacLean in the 1950s through Desmond Bagley,
Dick Francis, Len Deighton and John Le Carre in the 1960s, to
Frederick Forsyth and Jack Higgins in the 1970s. Many have been
labelled 'boys' books' written by men who probably never grew up
but, as award-winning writer and critic Mike Ripley recounts, the
thrillers of this period provided the reader with thrills,
adventure and escapism, usually in exotic settings, or as today's
leading thriller writer Lee Child puts it in his Foreword: 'the
thrill of immersion in a fast and gaudy world.' In Kiss Kiss, Bang
Bang, Ripley examines the rise of the thriller from the austere
1950s through the boom time of the Swinging Sixties and early
1970s, examining some 150 British authors (plus a few notable South
Africans). Drawing upon conversations with many of the authors
mentioned in the book, he shows how British writers, working very
much in the shadow of World War II, came to dominate the field of
adventure thrillers and the two types of spy story - spy fantasy
(as epitomised by Ian Fleming's James Bond) and the more realistic
spy fiction created by Deighton, Le Carre and Ted Allbeury, plus
the many variations (and imitators) in between.
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