Posthumously launched as the "electric-age Blake", Mina Loy's
futurist techniques were unlike anything British critics had seen
before; her subjects - sex, parturitiion, prostitution, suicide,
addiction, retardation - were considered shocking even by some
modernists. Updating and correcting the earlier book, this edition
features previously unknown works by Loy rescued from Dada archives
and avant-garde magazines. All of Loy's futurist and feminist
satires are included, as are the poems from her Paris and New York
periods, the cycle of "Love Songs", and her portraits-in-verse
which define the trajectory of her favoured company and geography -
from fellow modernist Joyce and Brancusi in Paris in the 1920s to
fellow destitutes in New York's Lower East Side in the 1940s.
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