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The Barbarians' Return (Paperback)
Loot Price: R293
Discovery Miles 2 930
You Save: R59
(17%)
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The Barbarians' Return (Paperback)
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List price R352
Loot Price R293
Discovery Miles 2 930
You Save R59 (17%)
Expected to ship within 12 - 17 working days
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For the past 50 years, Mircea Dinescu has been one of Romanian
poetry's most provocative and obstinately singular poets. After
starting out as a writer of highly musical poetry that he spun
round in his fingers with the aplomb of a magician who refuted
reality, he ended up stuck in free verse, impelled mainly because
of the surrealism of a world in which the label and the content of
any box seldom matched. After his first gratuitous exercises when
he was 22 and striving to commit himself to love poetry, he was
surprised to discover that he had created a poetry of sly political
allusion. He was like that communist worker employed in a factory
producing bicycle parts who, stealing a tiny wheel one day, a few
nuts and bolts on another, a gear, then taking home a chain and a
length of pipe, until finally realising to his amazement that
however he assembled these parts, instead of a bicycle the result
was a Russian machine gun. The dictator at whom Dinescu shot his
metaphors was eventually shot with real bullets by his own
henchmen. Unlike Dinescu, those men were able to see the difference
between a bicycle and a machine gun: later on, disguising
themselves as anti-communists, they pedalled their bicycles into
the brave new consumer society. A quarter of a century and more
since the fall of communism, Mircea Dinescu still hesitates to
think of himself as witness, judge or defendant. Like an agile
monkey, he jumps into and out of the handbook of literature, just
as into and out of the handbook of history, where he is mentioned
on page 16, in the chapter entitled Revolutions. In 1989, Dinescu
was liberated from house arrest by a large crowd in Bucharest who
carried him triumphantly to the national television building. There
he announced to his country and the world, with actor Ion
Caramitru, that the dictator had fled. The country changed almost
overnight from communist to capitalist, but Dinescu carried on
doing what he'd always done: writing necessary poems that challenge
all systems.
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