This thesis focuses on an analysis of Iranian filmmaker, Abbas
Kiarostami, from an authorship study point-of-view. Specifically,
this study explores the creation of the commodity Kiarostami
through an analysis of film reviews of the director's Koker-Trilogy
by Western film critics and scholars. It illustrates how Kiarostami
has been mystified, which results in the current commodity
Kiarostami. By discussing the three most often used authorship
approaches to discussing this director's work-origin, personality,
and reading strategy-it is illustrated how these approaches have
shaped the Westerners' understanding of this man and his films.
Resulting, a modified authorship approach is proposed to decrease
the impact auteur study has on a filmmaker's image.
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