This study shows the shift in meaning generation across time in
Turkish cinema by comparing genre films of the 1960s of the green
Pine (Yesilcam) cinema and parody films of the new televisual
production regime in Turkish cinema of the 2000s. At the
intertextual level popular Turkish film parodies of the
twenty-first century expose and ridicule a discourse of modernity
by creating a critical intertextuality with classical Turkish film
genres of the 1960s and popular Hollywood cinema in the new
millennium. The use of critical intertextuality can be essential as
a discursive tool to reconstruct a national cinema's genres and to
understand its changing viewer modality through a historical
perspective. Through looking at how film parody reinterprets genre
films this study also identifies a new mode of film and media
production in Turkey.
General
Imprint: |
Lap Lambert Academic Publishing
|
Country of origin: |
Germany |
Release date: |
July 2010 |
First published: |
July 2010 |
Authors: |
Murat Akser
|
Dimensions: |
229 x 152 x 14mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
248 |
ISBN-13: |
978-3-8383-8290-6 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
3-8383-8290-0 |
Barcode: |
9783838382906 |
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