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Mixed Faith and Shared Feeling - Theater in Post-Reformation London (Hardcover)
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Mixed Faith and Shared Feeling - Theater in Post-Reformation London (Hardcover)
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Mixed Faith and Shared Feeling explores the mutually generative
relationship between post-Reformation religious life and London's
commercial theaters. It explores the dynamic exchange between the
imaginatively transformative capacities of shared theatrical
experience, with the particular ideological baggage that individual
playgoers bring into the theater. While early modern English drama
was shaped by the polyvocal, confessional scene in which it was
embedded, Musa Gurnis contends that theater does not simply reflect
culture but shapes it. According to Gurnis, shared theatrical
experience allowed mixed-faith audiences to vicariously occupy
alternative emotional and cognitive perspectives across the
confessional spectrum. In looking at individual plays, such as
Thomas Middleton's A Game of Chess and Shakespeare's Measure for
Measure, Gurnis shows how theatrical process can restructure
playgoers' experiences of confessional material and interrupt
dominant habits of religious thought. She refutes any assumption
that audiences consisted of conforming Church of England
Protestants by tracking the complex and changing religious lives of
seventy known playgoers. Arguing against work that seeks to draw
fixed lines of religious affiliation around individual playwrights
or companies, she highlights the common practice of
cross-confessional collaboration among playhouse colleagues. Mixed
Faith and Shared Feeling demonstrates how post-Reformation
representational practices actively reshaped the ways ideologically
diverse Londoners accessed the mixture of religious life across the
spectrum of beliefs.
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