In this book, Mwenda Ntarangwi analyzes how young hip hop
artists in the East African nations of Kenya, Uganda, and Tanzania
showcase the opportunities and challenges brought by the
globalization of music. Combining local popular music traditions
with American and Jamaican styles of rap, East African hip hop
culture reflects the difficulty of creating commercially accessible
music while honoring tradition and East African culture. Ntarangwi
pays special attention to growing cross-border exchanges within
East African hip hop, collaborations in recording music and
performances, and themes and messages that transcend local
geographic boundaries.
In using hip hop as a medium for discussing changes in East
African political, economic, and social conditions, artists
vocalize their concerns about economic policies, African identity,
and political establishments, as well as important issues of health
(such as HIV/AIDS), education, and poverty. Through three years of
fieldwork, rich interviews with artists, and analysis of live
performances and more than 140 songs, Ntarangwi finds that hip hop
provides youth an important platform for social commentary and
cultural critique and calls attention to the liberating youth music
culture in East Africa.
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