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Dynamics of Distancing in Nigerian Drama - A Functional Approach to Metatheatre (Paperback)
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Dynamics of Distancing in Nigerian Drama - A Functional Approach to Metatheatre (Paperback)
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Nadia Anwar presents a compelling reading framework for the study
and analysis of selected post-independence Nigerian dramas, using
the conceptual parameters of metatheatre, a theatrical strategy
which foregrounds the process of play-making by breaking the
dramatic illusion. She argues that distancing, as a function of
metatheatre, creates a balanced theatrical experience and
environment in terms of the emotive and cognitive levels of
reception of a particular performance. Anwar's book is the first
in-depth study of the concept of metatheatre with reference to
Nigerian drama including Wole Soyinka's Death and the King's
Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971)
and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering
and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen
Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to
Be (1998). The perspectives of Bertolt Brecht (1936), Thomas J
Scheff (1963), and other theoreticians of dramatic distancing and
metatheatre are used in the analyses and, where required,
challenged through appropriate contextual and theoretical
adjustments. The book is the first attempt to illustrate how
Brechtian approach to the display and generation of emotions can be
revised through Scheff's model of emotional balance.
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