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Beethoven's Symphonies Arranged for the Chamber - Sociability, Reception, and Canon Formation (Hardcover)
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Beethoven's Symphonies Arranged for the Chamber - Sociability, Reception, and Canon Formation (Hardcover)
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Early nineteenth-century composers, publishers and writers evolved
influential ideals of Beethoven's symphonies as untouchable
masterpieces. Meanwhile, many and various arrangements of
symphonies, principally for amateur performers, supported diverse
and 'hands-on' cultivation of the same works. Now mostly forgotten,
these arrangements served a vital function in nineteenth-century
musical life, extending works' meanings and reach, especially to
women in the home. This book places domestic music-making back into
the history of the classical symphony. It investigates a largely
untapped wealth of early nineteenth-century arrangements of
symphonies by Beethoven - for piano, string quartet, mixed quintet
and other ensembles. The study focuses on three key agents in the
nineteenth-century culture of musical arrangement: arrangers,
publishers and performers. It investigates significant functions of
those musical arrangements in the era: sociability, reception and
canon formation. The volume also explores how conceptions of
Beethoven's symphonies, and their arrangement, changed across the
era with changing conception of musical works.
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