Theatre and war have long been bedfellows. This brief study looks
beyond theatre that is about war, and instead focuses on the
relationship between theatre and war: how they feed into and inform
one another, from rehearsal to post-production analysis. The study
builds on the premise that theatre and war share a deep kinship
that finds its consummate expression in the very phrase 'theatre of
war.' This critical look at the entangled history of theatre and
war asks pressing questions that remain pertinent to our current
moment: how have the tools of theatre been used in the waging of
war? How have the tools of waging war been used in the making of
performance? What are the 'shared interests' of theatre and war?
And how has performance become a militarized paradigm?
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