This unique collection of essays examines the flow of African
American music and musicians across the Atlantic to Europe from the
time of slavery to the twentieth century. In a sweeping examination
of different musical forms--spirituals, blues, jazz, skiffle, and
orchestral music--the contributors consider the reception and
influence of black music on a number of different European
audiences, particularly in Britain, but also France, Germany, and
the Netherlands.
The essayists approach the subject through diverse historical,
musicological, and philosophical perspectives. A number of essays
document little-known performances and recordings of African
American musicians in Europe. Several pieces, including one by Paul
Oliver, focus on the appeal of the blues to British listeners. At
the same time, these considerations often reveal the ambiguous
nature of European responses to black music and in so doing add to
our knowledge of transatlantic race relations.
Contributions from Christopher G. Bakriges, Sean Creighton,
Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul
Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund
Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David
Webster, Jen Wilson, and Neil A. Wynn
Neil A. Wynn is professor of twentieth-century American history
at the University of Gloucestershire. He is the author of
"Historical Dictionary from Great War to Great Depression," "From
Progressivism to Prosperity: American Society and the First World
War," and "The Afro-American and the Second World War."
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