The long-lasting effects of colonialism are still present
throughout Latin America. Racism, political persecution, ethnic
extermination and extreme capitalism are some salient examples.
This new book explores how heavy metal music in the region has been
used to critically challenge the historical legacy of colonialism
and its present-day manifestations. Through extensive ethnographic
research in Puerto Rico, Cuba, Dominican Republic, Mexico,
Guatemala, Colombia, Peru, Chile and Argentina, Varas-Diaz
documents how metal music listeners and musicians engage in
'extreme decolonial dialogues' as a strategy to challenge past and
ongoing forms of oppression. This allows readers to see metal music
in a different light and as a call for justice in Latin America.
Heavy metal related scholarship has made strides in the past
decade. Many books have aimed to explain its origins, uses and the
social meanings ascribed to the music in a variety of contexts. For
the most part, these have neglected to address the region of Latin
America as an area of study. It represents a historical and
sociological journey in Latin American heavy metal music through
rich ethnographic engagements with performers, fans and scholars of
music. Its central premise is the dialogic relationship amongst
deep histories of coloniality, systematic oppression, entrenched
inequalities and the expressive forms generated by 'decolonial
metal music'. The book also provides an exemplary and potentially
iconic model of ethnomusicology and the anthropology of music. Most
previous work on metal music in Latin America has relied on
theoretical frameworks developed in the Global North, and is
therefore limited in understanding the region through its
particular history and experiences. There is no scholarship of
heavy metal scholarship in the Latin American region that achieves
the depth or breadth of analysis represented by this book. It
provides a roadmap and a model for this emerging mode of musical
analysis, by demonstrating how decolonial metal scholarship can be
achieved. Academic readership for the book will come from multiple
disciplines including cultural studies, musicology,
ethnomusicology, sociology, anthropology, cultural geography,
history and Latin American studies. It will be of interest to music
studies programmes, as well as for methods courses on structurally
informed social research. The book will also be of interest to
those outside academic settings - accessibly written, with its
concise reviews of historical and political-economic contexts, and
its vivid storytelling, it will be of interest to consumers of the
metal musical genre.
General
Imprint: |
Intellect Books
|
Country of origin: |
United Kingdom |
Series: |
Advances in Metal Music and Culture |
Release date: |
August 2021 |
First published: |
2021 |
Authors: |
Nelson Varas-Diaz
|
Dimensions: |
244 x 170 x 25mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
256 |
Edition: |
New edition |
ISBN-13: |
978-1-78938-393-5 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
1-78938-393-5 |
Barcode: |
9781789383935 |
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