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Cuban Film Media, Late Socialism, and the Public Sphere - Imperfect Aesthetics (Hardcover, 1st ed. 2016)
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Cuban Film Media, Late Socialism, and the Public Sphere - Imperfect Aesthetics (Hardcover, 1st ed. 2016)
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This book maps the aesthetic experience of late socialism through
Cuban film and media practice. It shows how economic and material
scarcity as well as political uncertainty is expressed
aesthetically in films from the period following the collapse of
the Soviet Union, a characteristic described as imperfect
aesthetics. The films examined in the book draw attention to the
unique temporal experience of late socialism, a period marked both
by rapid change and frustrating stasis, nostalgia for Cuba's past
and anxiousness about its future. Aesthetic modes such as melodrama
and irony, and stylistic elements such as direct address and the
long take, communicate the temporal experience of late socialism in
Cuba, where new global traffic and a globalizing economy co-exist
with iconic socialist features of the Cuban revolution. Film
aesthetics constitute an important public dimension within this
context, serving as a site of political and cultural critique
amidst political uncertainty. In examining large-scale
international co-productions as well as regional film collectives
and amateur media making, the book traces the aesthetic
continuities between contemporary film practices and those of the
immediate post-revolutionary period, showing how the Cuban
revolution continues to be an important touchstone for contemporary
Cuban filmmakers in the face of new and imminent change.
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