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Sweet Thing - The History and Musical Structure of a Shared American Vernacular Form (Hardcover)
Loot Price: R1,928
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Sweet Thing - The History and Musical Structure of a Shared American Vernacular Form (Hardcover)
Series: OXFORD STUDIES IN MUSIC THEORY
Expected to ship within 12 - 17 working days
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As children, many of us learn to sing, "If you're happy and you
know it, clap your hands." But despite the familiarity of this
tune, few of us realize that what we're singing is actually part of
a pervasive - and centuries-old - musical scheme. This particular
pattern, the "Sweet Thing" scheme, has generated a large group of
songs spanning a broad range of topics, genres, and time periods,
but all related through a specific stanzaic form. Early
twentieth-century blues songs "My Babe" and "Motherless Children,"
country songs "Peg and Awl" and "Crawdad Song," and gospel songs
"Pure Religion" and "This Train" use this form, along with popular
songs like Ray Charles's "I Got a Woman," The Beatles's "One After
909," and the Velvet Underground's "I'm Waiting for the Man." Sweet
Thing: The History and Musical Structure of a Shared American
Vernacular Form studies one of the most productive and enduring
shared musical resources in North American vernacular music. Author
Nicholas Stoia offers the most comprehensive examination to date of
the long history of the "Sweet Thing" scheme, exploring how it made
its way from sixteenth-century Scotland to eighteenth-century
British broadside ballads to nineteenth-century American ragtime.
Stoia also examines the form in various contexts, including early
blues and country music, and moving forward to rhythm and blues,
soul, and rock music, connecting these modern forms to their
ancient roots. Through this close look at a ubiquitous musical
from, Sweet Thing shows us how it has linked listeners and
musicians alike across the boundaries of genre, race, and even
time.
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