Seminar paper from the year 2007 in the subject English -
Literature, Works, grade: 1,3, University of Heidelberg
(Anglistisches Seminar), course: PS II Literaturwissenschaft -
Shaws Fruhe Dramen, language: English, abstract: This essay shall
aim at portraying Shaw's Fabian thought and morality in his early
plays, i.e. Widowers' Houses, Arms and the Man, and The Devil's
Disciple. Such a task automatically renders the essay no more than
an attempt at finding traces, for there are no socialists in the
plays mentioned. Instead, socialist thought is conveyed implicitly,
i.e. by means of the plot, by method of showing, or by confronting
a Victorian theatre audience with realities they would only too
well like to ignore. Widower's Houses is a good case in point: it
is highly unlikely any tenants living in the sort of substandard
accommodation portrayed in the play could afford a night out in
Covent Garden, and it is equally unlikely the theatre-going
audience would ever bother to visit them in "their" rundown houses.
Consequently, Shaw forced the reality upon the audience and
explicitly tried to use drama as a means of propaganda (Grene:
1987: 15 and 3). However, here one could critically add that Shaw -
like most Fabians - had as little contact with the working class as
those he criticised for the same reasons (Ballay 1980: 237). I
shall focus on Widowers' Houses, Arms and the Man, and The Devil's
Disciple, for reasons I will explain in the conclusion. The essay
follows a hypothesis, which is as written above: Shaw forced upon
his audience realities they would like to ignore, and he wished to
radicalise his audience (Gahan: 13). The second assumption this
essay follows is that morality is as much part of Fabianism as
politics are. In his economic and political writings, Shaw made a
strong connection between economics and morality (Griffith: 29f.).
His opposition to capitalism rooted very much in the fact that he
rejected it morally. Hence, according to Fabian logic, the
General
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