This work brings together writings on television published in
Quarterly Review of Film and Video, from essays by Nick Browne and
Beverle Houston to the latest historical and critical research. It
considers television's economics, technologies, forms and audiences
from a cultural perspective that links history, theory and
criticism. The authors address several key issues: the formative
period in American television history; the relation between
television's political economy and its cultural forms; gender and
melodrama; and new technologies such as video games and camcorders.
Originally published in 1993.
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