In this concise study, Nicole Brenez argues for Abel Ferrara's
place in a line of grand inventors who have blurred distinctions
between industry and avant-garde film, including Orson Welles,
Monte Hellman, and Nicholas Ray. Rather than merely reworking genre
film, Brenez understands Ferrara's oeuvre as formulating new
archetypes that depict the evil of the modern world. Focusing as
much on the human figure as on elements of storytelling, she argues
that films such as Bad Lieutenant express this evil through
visionary characters struggling against the inadmissible
(inadmissible behavior, morality, images, and narratives).
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