Edgar G. Ulmer is perhaps best known today for Detour, considered
by many to be the epitome of a certain noir style that transcends
its B-list origins. But in his lifetime he never achieved the
celebrity of his fellow Austrian and German emigre directors--Billy
Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite
early work with Max Reinhardt and F. W. Murnau, his auspicious
debut with Siodmak on their celebrated Weimar classic People on
Sunday, and the success of films like Detour and Ruthless, Ulmer
spent most of his career as an itinerant filmmaker earning modest
paychecks for films that have either been overlooked or forgotten.
In this fascinating and well-researched account of a career spent
on the margins of Hollywood, Noah Isenberg provides the
little-known details of Ulmer's personal life and a thorough
analysis of his wide-ranging, eclectic films--features aimed at
minority audiences, horror and sci-fi flicks, genre pictures made
in the U.S. and abroad. Isenberg shows that Ulmer's unconventional
path was in many ways more typical than that of his more famous
colleagues. As he follows the twists and turns of Ulmer's fortunes,
Isenberg also conveys a new understanding of low-budget filmmaking
in the studio era and beyond.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Series: |
Weimar & Now: German Cultural Criticism, 48 |
Release date: |
2014 |
First published: |
2014 |
Authors: |
Noah Isenberg
|
Dimensions: |
229 x 152 x 33mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
384 |
Edition: |
New |
ISBN-13: |
978-0-520-23577-9 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-520-23577-0 |
Barcode: |
9780520235779 |
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