The archconfraternity of SS. TrinitA was one of the less well-known
institutions for musical patronage in sixteenth-century Rome. Yet
in focusing on its activities in the period 1550-1650, this book
sheds light on networks of urban patronage that were equally
important in commissioning the sacred music of the period as the
Cappella Pontificia and the Cappella Giulia at St Peter's. Not only
did SS. TrinitA provide Palestrina with his only known major
involvement in sacred music outside the Cappella Giulia after 1571
it also employed at some time or another every major composer
active in the city. Noel O'Regan discusses the importance of SS.
TrinitA in the sphere of Roman sacred music during this period and
the ways in which this music was affected by social and religious
factors in the play for power and prestige in post-tridentine Rome.
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