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James Weldon Johnson's Modern Soundscapes (Paperback)
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James Weldon Johnson's Modern Soundscapes (Paperback)
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James Weldon Johnson's Modern Soundscapes provides an evocative and
meticulously researched study of one of the best known and yet
least understood authors of the New Negro Renaissance era. Johnson,
familiar to many as an early civil rights leader active in the
National Association for the Advancement of Colored People and an
intentionally controversial writer on the subject of the
significance of race in America, was one of the most prolific,
wide-ranging, and yet elusive authors of twentieth-century African
American literature. Johnson realised early in his writing career
that he could draw attention to the struggles of African Americans
by using unconventional literary methods such as the incorporation
of sound into his texts. In this groundbreaking work, literary
critic Noelle Morrissette examines how his literary representation
of the extremes of sonic experience-functioning as either cultural
violence or creative force-draws attention to the mutual
contingencies and the interdependence of American and African
American cultures. Moreover, Morrissette argues, Johnson
represented these "American sounds" as a source of multiplicity and
diversity, often developing a framework for the interracial
transfer of sound. The lyricist and civil rights leader used sound
as a formal aesthetic practice in and between his works, presenting
it as an unbounded cultural practice that is as much an interracial
as it is a racially distinct cultural history. Drawing on archival
materials such as early manuscript notes and drafts of Johnson's
unpublished and published work, Morrissette explores the author's
complex aesthetic of sound, based on black expressive culture and
cosmopolitan interracial experiences. This aesthetic evolved over
the course of his writing life, beginning with his early Broadway
musical comedy smash hits and the composition of Autobiography of
an Ex-Colored Man(1912), and developing through his "real"
autobiography, Along This Way (1933). The result is an innovative
new interpretation of the works of one of the early twentieth
century's most important and controversial writers and civil rights
leaders.
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