Afrique sur Seine addresses the development since the 1950s of a
new type of Francophone African novel created by first-generation
black African authors living in France. Drawing parallels with
other literatures like the beur and Antillean novels, Odile
Cazenave examines how these authors, men and women, are parting
from mainstream African literature by exploring more personal
avenues while retaining a shared interest in the community of
African emigrants. Cazenave deftly shows us how these writers
maneuver between two cultures, languages, and spheres of being, and
how they struggle to appeal to their French audience without being
untrue to the complex history and reality they portray. Cazenave
further discusses the stereotyping often promoted by French
publishing houses to sell African-authored texts, and its impact.
At a time when immigration is an important issue in France, and
when post-colonial identity and culture is the object of still
increasing interest and attention, Afrique sur Seine guides us
through writing that surprises with its fresh insights into
multiculturalism and integration.
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