This book is about the relationship between media, communication
and globalization, explored through the unique empirical study of
electronic music practitioners use of the global social media:
MySpace, Facebook, YouTube and Twitter. To understand the
significance of the emerging nexus between social media and music
in a global context, the book explores various aspects of
production, distribution and consumption among electronic music
practitioners as they engage with global social media, as well as a
historical, political and economic exposition of the rise of this
global social media environment.
Drawing on interview-based research with electronic music
artists, DJs, producers and managers, together with the historical
portrayal of the emergence of global social media this pioneering
study aims to capture a development taking place in music culture
within the wider transformations of the media and communications
landscape; from analogue to digital, from national to global, and
from a largely passive to more active media use. In doing so, it
explores the emergence of a media and communications ecology with
increased mobility, velocity and uncertainty. The numerous
competing, and rapidly growing and fading social media exemplify
the vitality and volatility of the transforming global media,
communication and cultural landscape.
This study suggests that the music practitioner 's relationship
with MySpace, Facebook, YouTube and Twitter and the key
characteristics of these global social media, alter aspects of our
practical and theoretical understandings of the process of media
globalization. The book deploys an interdisciplinary approach to
media globalization that takes into account and articulates this
relationship, and reflects the enduring power equations and wider
continuities and changes within the global media and communications
sphere.
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