Two decades after the publication of several landmark scholarly
collections on music and difference, musicology has largely
accepted difference-based scholarship. This collection of essays by
distinguished contributors is a major contribution to this field,
covering the key issues and offering an array of individual case
studies and methodologies. It also grapples with the changed
intellectual landscape since the 1990s. Criticism of
difference-based knowledge has emerged from within and outside the
discipline, and musicology has had to confront new configurations
of difference in a changing world. This book addresses these and
other such challenges in a wide-ranging theoretical introduction
that situates difference within broader debates over recognition
and explores alternative frameworks, such as redistribution and
freedom. Voicing a range of perspectives on these issues, this
collection reveals why differences and similarities among people
matter for music and musical thought.
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