Asia's film industries have undergone significant transformation in
the last 30 years. From bilateral co-production agreements to
pan-Asian financing, Asian cinema has assumed a regional identity
well beyond its constituent national cinemas. This book explores
the collaborative models of film production, distribution,
exhibition and reception that have enabled greater co-operation and
integration between Asia's film industries. In doing so, it
contributes to the burgeoning international fields of transnational
and world cinema, providing a fresh perspective on Asian cinema
through the lens of comparative film studies.
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