Ovid's love-poetry was typically original and innovative. His witty
analysis in the Amores (Loves) of the elegiac relationship develops
with relentless irony its essential paradox - love as
simultaneously fulfilling and destructive - to its logical
conclusion: definitive disestablishment of the poet-lover's role as
presented by Gallus, Tibullus, and Propertius. In its place he went
on to offer in the Ars Amatoria (Art of Love) and Remedia Amoris
(Cures for Love) an equally brilliant presentation of an
alternative and more realistic conception of love as a game at
which both sexes can play without getting hurt - providing they
stick to Ovid's rules. Under the surface of Ovid's wit there runs
an undercurrent of serious meaning: the theme of the poet's
complete control of his medium and his art and a proud
consciousness of his achievements. His claim to be `the Virgil of
elegy' is arrestingly justified in these extraordinarily
accomplished poems. Alan Melville's accomplished translations match
the sophisticated elegance of Ovid's Latin. Their witty modern
idiom is highly entertaining. In this volume he has included the
brilliant version of the Art of Love by Moore, published more than
fifty years ago and still unequalled; the small revisions he has
made will enhance the reader's admiration for Moore's achievement.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has
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