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Adorno's Theory of Philosophical and Aesthetic Truth (Hardcover)
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Adorno's Theory of Philosophical and Aesthetic Truth (Hardcover)
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts
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In Adorno's Theory of Philosophical and Aesthetic Truth, Owen
Hulatt undertakes an original reading of Theodor W. Adorno's
epistemology and its material underpinnings, deepening our
understanding of his theories of truth, art, and the nonidentical.
Hulatt's novel interpretation casts Adorno's theory of
philosophical and aesthetic truth as substantially unified,
supporting the thinker's claim that both philosophy and art are
capable of being true. For Adorno, truth is produced when
rhetorical "texture" combines with cognitive "performance," leading
to the breakdown of concepts that mediate the experience of the
consciousness. Both philosophy and art manifest these features,
although philosophy enacts these conceptual issues directly, while
art does so obliquely. Hulatt builds a robust argument for Adorno's
claim that concepts ineluctably misconstrue their objects. He also
puts the still influential thinker into conversation with Hegel,
Husserl, Frazer, Sohn-Rethel, Benjamin, Strawson, Dahlhaus,
Habermas, and Caillois, among many others.
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