This original study discovers the bourgeois in the modernist and
the dissenting style of Bohemia in the new artistic movements of
the 1910s. Brooker sees the bohemian as the example of the modern
artist, at odds with but defined by the codes of bourgeois society.
"Bohemia in London" reconstructs the usual history, situating the
canonic names of modernism in the world of groups and coteries
which shaped the allied experiments in art and life. Thus it renews
once more the complexities and radicalism of the modernist
challenge.
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